Upcoming Auditions for Adults
Twelve Angry Women
Adapted by Sherman L. Sergel
Based on the Emmy Award-winning
Television Movie by Reginald Rose.
Synopsis: A 19-year-old man has just stood trial for the fatal stabbing of his father. "He doesn't stand a chance," mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case—until one of the jurors begins opening the others' eyes to the facts. "This is a remarkable thing about democracy," says the foreign-born juror, "that we are notified by mail to come down to this place—and decide on the guilt or innocence of a person; of a man or woman we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing." But personal it is, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted and a new murder threat is born before their eyes! Tempers get short, arguments grow heated, and the jurors become 12 angry jurors.
Breakdown: Adult actresses, ages 18 to 65 only, no minors
Juror #1 - Responsible for keeping the jury organized, which is her main focus in the play. She is an assistant football coach outside of the jury room. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #2 - A shy bank clerk who takes time to feel comfortable enough to participate in the discussion. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #3 - A small business owner. She proudly says that he started her business from scratch and now employs thirty-four workers. We learn early on that she has a bad relationship with her own son, with whom she is no longer speaking. We are led to believe that this is a contributing factor to her prejudice against the defendant, accused of stabbing his own father. 3rd Juror is the last to be convinced and only changes her mind once she realizes that she is only projecting his feelings about her own son onto the defendant. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #4 - A stock broker. She wears glasses and seems to handle herself with a very serious air. She deals with the facts of the case logically and concretely. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #5 - Works in a Harlem hospital and says that she herself has lived in the slums her entire life. This gives her insight into such details as the use of a switchblade. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #6 - A house painter, she is happy that the case continues as it means she doesn’t have to work, but is hesitant to put a potential killer back on the streets. She sticks up for 9th Juror, an old woman, and seems to be a respectful woman. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #7 - Her main concern in the case is whether or not it will end before her ball game, for which she has tickets. She sells marmalade and is generally indifferent to the case. She changes her vote to “not guilty” simply because the tide of opinion switches, and she wants the deliberations to be over. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #8 - She is the only juror who votes “not guilty” at the first vote. She is discontent with the way the trial was handled and wants them to discuss the evidence in greater detail. Met with much opposition, she continues to advocate for the boy. We learn that she is an architect, by trade. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #9 - An old woman." She respects 8th Juror's passion and sense of justice and quickly comes to her aid and becomes and advocate for the defendant. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #10 - She is one of the most fervent attackers of the defendant. Tactless and fairly bigoted, she condemns the defendant as “one of them” right from the start. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #11 - An immigrant watchmaker. She is very patriotic and talks about how much she loves the American justice system. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #12 - Works for a marketing agency, to which job she refers to often. She seems constantly distracted from the case. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Schedule an Audition: Auditions are scheduled for Saturday, February 1st by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Twelve_Angry_Women
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Friday, February 21st - 12PM till 3PM - Cast A
Friday, February 21st - 3PM till 6PM - Cast B
Friday, February 28th - 12PM till 3PM - Cast A
Friday, February 28th - 3PM till 6PM - Cast B
Friday, March 6th - 12PM till 3PM - Cast A
Friday, March 6th - 3PM till 6PM - Cast B
Friday, March 13th - 12PM till 3PM - Cast A
Friday, March 13th - 3PM till 6PM - Cast B
Mandatory Dress Rehearsal
Friday, March 20th
12PM till 3PM - Cast A
3PM till 6PM - Cast B
Mandatory Performances
Friday, March 20th
7PM - Cast A
9PM - Cast B
Saturday, March 21st
2:15PM - Cast B
4:15PM - Cast A
Sunday, March 22nd
7PM - Cast A
9PM - Cast B
Breakdown: Adult actresses, ages 18 to 65 only, no minors
Juror #1 - Responsible for keeping the jury organized, which is her main focus in the play. She is an assistant football coach outside of the jury room. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #2 - A shy bank clerk who takes time to feel comfortable enough to participate in the discussion. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #3 - A small business owner. She proudly says that he started her business from scratch and now employs thirty-four workers. We learn early on that she has a bad relationship with her own son, with whom she is no longer speaking. We are led to believe that this is a contributing factor to her prejudice against the defendant, accused of stabbing his own father. 3rd Juror is the last to be convinced and only changes her mind once she realizes that she is only projecting his feelings about her own son onto the defendant. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #4 - A stock broker. She wears glasses and seems to handle herself with a very serious air. She deals with the facts of the case logically and concretely. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #5 - Works in a Harlem hospital and says that she herself has lived in the slums her entire life. This gives her insight into such details as the use of a switchblade. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #6 - A house painter, she is happy that the case continues as it means she doesn’t have to work, but is hesitant to put a potential killer back on the streets. She sticks up for 9th Juror, an old woman, and seems to be a respectful woman. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #7 - Her main concern in the case is whether or not it will end before her ball game, for which she has tickets. She sells marmalade and is generally indifferent to the case. She changes her vote to “not guilty” simply because the tide of opinion switches, and she wants the deliberations to be over. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #8 - She is the only juror who votes “not guilty” at the first vote. She is discontent with the way the trial was handled and wants them to discuss the evidence in greater detail. Met with much opposition, she continues to advocate for the boy. We learn that she is an architect, by trade. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #9 - An old woman." She respects 8th Juror's passion and sense of justice and quickly comes to her aid and becomes and advocate for the defendant. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #10 - She is one of the most fervent attackers of the defendant. Tactless and fairly bigoted, she condemns the defendant as “one of them” right from the start. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #11 - An immigrant watchmaker. She is very patriotic and talks about how much she loves the American justice system. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Juror #12 - Works for a marketing agency, to which job she refers to often. She seems constantly distracted from the case. Ensemble show, all 12 jurors are on stage for the entire 90 minutes of the play. 4 rehearsal and 3 performance commitment.
Schedule an Audition: Auditions are scheduled for Saturday, February 1st by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Twelve_Angry_Women
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Friday, February 21st - 12PM till 3PM - Cast A
Friday, February 21st - 3PM till 6PM - Cast B
Friday, February 28th - 12PM till 3PM - Cast A
Friday, February 28th - 3PM till 6PM - Cast B
Friday, March 6th - 12PM till 3PM - Cast A
Friday, March 6th - 3PM till 6PM - Cast B
Friday, March 13th - 12PM till 3PM - Cast A
Friday, March 13th - 3PM till 6PM - Cast B
Mandatory Dress Rehearsal
Friday, March 20th
12PM till 3PM - Cast A
3PM till 6PM - Cast B
Mandatory Performances
Friday, March 20th
7PM - Cast A
9PM - Cast B
Saturday, March 21st
2:15PM - Cast B
4:15PM - Cast A
Sunday, March 22nd
7PM - Cast A
9PM - Cast B
Agatha Christie's
Murder on the Nile
Synopsis: No one writes a mystery like Agatha Christie, and there's few joys in the world of live theater that can equal the pleasure of seeing one of her whodunits brought to life. You know you're in for a rogues' gallery of colorful characters, tantalizing red herrings and suspenseful plots. In Murder on the Nile, adapted for the stage by Christie herself, the Grand Dame of Mystery whisks you away on a honeymoon cruise down the Nile. The only problem is the bride is dead. Luckily, master sleuth Canon Pennefather is aboard! So put on your thinking cap, and see if you can figure out whodunit as the AlphaNYC Theater Company presents Murder on the Nile.
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
STEWARD - The host of the voyage who's primary goal is to please all of the guests, despite the fact that he only understands about half of what any of his English speaking passengers are saying. Male. 20s - 60s **African or Middle Eastern accent preferred.
MISS FFOLIOT-FOULKES - The epitome of the aging, British aristocracy. Has no qualms about telling everyone exactly what she thinks of them, especially when it pertains to them being lower than her in social station. Female. 40s - 70s **British or Scottish accent preferred.
CHRISTINA GRANT - Great niece of Miss Ffoliot-Ffoulkes. The exact opposite of her aunt, Christina doesn't have a cruel bone in her body, though her natural naievty gets her into trouble all the same. Female. 18 - 25 **Scottish accent preffered.
SMITH - The mysterious bachelor with a wry sense of humor. Always just on the outside of the action, but never shy to offer keen observations. Male. 20s - 40s **British accent preferrred. Ability to mimic other accents a plus.
LOUISE - Maid to Mr. & Mrs. Mostyn. Beautiful by all accounts, and the perfect servant, but also has an underlying agenda of her own. Female. 20s - 30s **French accent required. Basic knowledge of French a plus.
DR. BESSNER - A doctor of medicine and psychology whose specialties seem left intentionally somewhat ambiguous, hailing from a small, Eastern European country where his family was financially ruined by the deeds of Kay's father. Gruff and off putting at times, he is still a skilled doctor who respects that oath above all. Male. 30s - 70s **Eastern European accent preferred.
KAY MOSTYN - The wealthiest girl in England, and the most beautiful. Loved by (almost) all. Born with a silver spoon in her mouth, she is literally oblivous to the idea that it might not be possible for her to get her own way in everything. Honeymooning with her unlikely choice of new husband. Female. 20s **British accent preferred.
SIMON MOSTYN - Simon never had a financial break in his life until meeting Kay. Always down on his luck, not much backbone to speak of, his only aim is to please Kay. But Simon harbors some secrets of his own… Male. 20s - 30s **British accent preferred.
CANON PENNEFATHER - A man of the cloth, and the only trusted friend of Kay's late father, Pennefather was charged to manage Kay's trust after her father died. Not your typical clergyman, he doesn't back down from other claims to authority based on money or social standing, and will still indulge in a drink with the highest to the low. Wise, clever, and very good at keeping secrets, he is the moral center of the story. Male. 40s - 70s **British accent preferred.
JACQUELINE DE SEVERAC - Kay's best friend in school and former fiancee of Simon. Beautiful, intelligent, troubled, and notoriously hotblooded. Came from money, but her family lost it all. She now follows the Mostyn's on their honeymoon to torture them, but the layers run deeper for Jacqueline. Female. 20s **A hint of French accent preferred.
MCNAUGHT - Ship's captain. A straightforward, simple man, who is horrified by the chaos that ensues on his boat. Male. 20s - 70s **African or Middle Eastern accent preferred.
BEAD SELLERS - Provide ambiance for the world of the play throughout. Full of enthusaism. Could sell you anything. Any gender/age/ethnicity ** African or Middle Eastern accent preferred.
Schedule an Audition: Auditions are scheduled for February 10th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Murder_On_Nile_Postman_Always_R
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals
Monday, February 24th
1PM till 6PM - Cast A
Thursday, February 27th
5PM till 10PM - Cast B
Monday, March 2nd
1PM till 6PM - Cast A
Thursday, March 5th
5PM till 10PM - Cast B
Monday, March 9th
1PM till 6PM - Cast A
Thursday, March 12th
5PM till 10PM - Cast B
Monday, March 16th
1PM till 6PM - Cast A
Wednesday, March 18th
5PM till 10PM - Cast B
Mandatory Dress Rehearsal
Thursday, March 19th
12PM till 3PM - Cast A
3PM till 6PM - Cast B
Mandatory Performances
Thursday, March 19th
7PM - Cast A
9PM - Cast B
Friday, March 20th
7PM - Cast B
9PM - Cast A
Saturday, March 21st
7PM - Cast A
9PM - Cast B
Sunday, March 22nd
2:15PM - Cast B
4:15PM - Cast A
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
STEWARD - The host of the voyage who's primary goal is to please all of the guests, despite the fact that he only understands about half of what any of his English speaking passengers are saying. Male. 20s - 60s **African or Middle Eastern accent preferred.
MISS FFOLIOT-FOULKES - The epitome of the aging, British aristocracy. Has no qualms about telling everyone exactly what she thinks of them, especially when it pertains to them being lower than her in social station. Female. 40s - 70s **British or Scottish accent preferred.
CHRISTINA GRANT - Great niece of Miss Ffoliot-Ffoulkes. The exact opposite of her aunt, Christina doesn't have a cruel bone in her body, though her natural naievty gets her into trouble all the same. Female. 18 - 25 **Scottish accent preffered.
SMITH - The mysterious bachelor with a wry sense of humor. Always just on the outside of the action, but never shy to offer keen observations. Male. 20s - 40s **British accent preferrred. Ability to mimic other accents a plus.
LOUISE - Maid to Mr. & Mrs. Mostyn. Beautiful by all accounts, and the perfect servant, but also has an underlying agenda of her own. Female. 20s - 30s **French accent required. Basic knowledge of French a plus.
DR. BESSNER - A doctor of medicine and psychology whose specialties seem left intentionally somewhat ambiguous, hailing from a small, Eastern European country where his family was financially ruined by the deeds of Kay's father. Gruff and off putting at times, he is still a skilled doctor who respects that oath above all. Male. 30s - 70s **Eastern European accent preferred.
KAY MOSTYN - The wealthiest girl in England, and the most beautiful. Loved by (almost) all. Born with a silver spoon in her mouth, she is literally oblivous to the idea that it might not be possible for her to get her own way in everything. Honeymooning with her unlikely choice of new husband. Female. 20s **British accent preferred.
SIMON MOSTYN - Simon never had a financial break in his life until meeting Kay. Always down on his luck, not much backbone to speak of, his only aim is to please Kay. But Simon harbors some secrets of his own… Male. 20s - 30s **British accent preferred.
CANON PENNEFATHER - A man of the cloth, and the only trusted friend of Kay's late father, Pennefather was charged to manage Kay's trust after her father died. Not your typical clergyman, he doesn't back down from other claims to authority based on money or social standing, and will still indulge in a drink with the highest to the low. Wise, clever, and very good at keeping secrets, he is the moral center of the story. Male. 40s - 70s **British accent preferred.
JACQUELINE DE SEVERAC - Kay's best friend in school and former fiancee of Simon. Beautiful, intelligent, troubled, and notoriously hotblooded. Came from money, but her family lost it all. She now follows the Mostyn's on their honeymoon to torture them, but the layers run deeper for Jacqueline. Female. 20s **A hint of French accent preferred.
MCNAUGHT - Ship's captain. A straightforward, simple man, who is horrified by the chaos that ensues on his boat. Male. 20s - 70s **African or Middle Eastern accent preferred.
BEAD SELLERS - Provide ambiance for the world of the play throughout. Full of enthusaism. Could sell you anything. Any gender/age/ethnicity ** African or Middle Eastern accent preferred.
Schedule an Audition: Auditions are scheduled for February 10th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Murder_On_Nile_Postman_Always_R
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals
Monday, February 24th
1PM till 6PM - Cast A
Thursday, February 27th
5PM till 10PM - Cast B
Monday, March 2nd
1PM till 6PM - Cast A
Thursday, March 5th
5PM till 10PM - Cast B
Monday, March 9th
1PM till 6PM - Cast A
Thursday, March 12th
5PM till 10PM - Cast B
Monday, March 16th
1PM till 6PM - Cast A
Wednesday, March 18th
5PM till 10PM - Cast B
Mandatory Dress Rehearsal
Thursday, March 19th
12PM till 3PM - Cast A
3PM till 6PM - Cast B
Mandatory Performances
Thursday, March 19th
7PM - Cast A
9PM - Cast B
Friday, March 20th
7PM - Cast B
9PM - Cast A
Saturday, March 21st
7PM - Cast A
9PM - Cast B
Sunday, March 22nd
2:15PM - Cast B
4:15PM - Cast A
The Little Mermaid
By Kathryn Schultz Miller
Synopsis: As the play begins… In the magical Kingdom of the Underwater Deep, a beautiful Mermaid Princess longs to become a human being. During a frightful shipwreck a Prince is tossed in the sea and rescued by the Princess. When she sings him a haunting lullaby he falls in lovewith the girl with the beautiful, musical voice. The Little Mermaid defies her father the Sea King andmakes a pact with Queen Odessa, trading her voice for humanhood. Her friends, Aruba and Finny, are at her side through the adventureproviding humor and fun to this children’s musical play of the beloved Hans Christian Andersen story.
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
Dutchess of Charleston - Entrusted to keep an eye on the prince. Super serious, never any fun. Wants only best for the prince.
Anabelle - The Little Mermaid who wants so badly to human. Naive and lacks common sense. This role sings.
Prince Edward - Falls in love with the Little Mermaid. Tired of listening to his aunt. Wants freedom.
Finny - A fish and Annabelle's overprotective best friend. Always super serious and a big scaredy cat.
Aruba - A flamingo and Annabelle's not so bright best friend. Doesn't exactly understand complex issues.
Marlin - Neptune's first in command. "Babysits" for the mischievious Annabelle. Always worried about getting in trouble.
Odessa - Evil sea queen/witch who hates Neptune and wants Annabelle's voice. Must be charismatic and obsessive.
Neptune - Anabelle's overprotective father who wants nothing less than the best for his daughter. Does not handle her rebellious ways very well.
Schedule an Audition: Auditions are scheduled for Saturday, February 8th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Little_Mermaid_AND_Wizard_of_Oz
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Friday, March 6th - 9AM till 12PM - Both Casts
Friday, March 13th - 9AM till 12PM - Both Casts
Mandatory Dress Rehearsal
Thursday, March 19th - 9AM till 12PM - Both Casts
Mandatory Performances
Saturday, March 21st
9AM - Cast A
10AM - Cast B
Sunday, March 22nd
11:30 - Cast B
12:30 - Cast A
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
Dutchess of Charleston - Entrusted to keep an eye on the prince. Super serious, never any fun. Wants only best for the prince.
Anabelle - The Little Mermaid who wants so badly to human. Naive and lacks common sense. This role sings.
Prince Edward - Falls in love with the Little Mermaid. Tired of listening to his aunt. Wants freedom.
Finny - A fish and Annabelle's overprotective best friend. Always super serious and a big scaredy cat.
Aruba - A flamingo and Annabelle's not so bright best friend. Doesn't exactly understand complex issues.
Marlin - Neptune's first in command. "Babysits" for the mischievious Annabelle. Always worried about getting in trouble.
Odessa - Evil sea queen/witch who hates Neptune and wants Annabelle's voice. Must be charismatic and obsessive.
Neptune - Anabelle's overprotective father who wants nothing less than the best for his daughter. Does not handle her rebellious ways very well.
Schedule an Audition: Auditions are scheduled for Saturday, February 8th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Little_Mermaid_AND_Wizard_of_Oz
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Friday, March 6th - 9AM till 12PM - Both Casts
Friday, March 13th - 9AM till 12PM - Both Casts
Mandatory Dress Rehearsal
Thursday, March 19th - 9AM till 12PM - Both Casts
Mandatory Performances
Saturday, March 21st
9AM - Cast A
10AM - Cast B
Sunday, March 22nd
11:30 - Cast B
12:30 - Cast A
The Wizard of Oz by Kathryn Schultz Miller
Synopsis: Take a trip over the rainbow and up the yellow brick road with Dorothy and her little dog Toto, in the all-time family favorite The Wizard of Oz. Suitable for young children, this adaptation tells the beloved story of a girl transported to a strange land who teams up with a Scarecrow, a Cowardly Lion and a Tin Man in her quest to return home.
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
Dorothy - Wide eyed young girl full of goodness and energy. Pure and wonderful at heart homesick for her family and home.
The Scarecrow - Dumb but lovable. In search of a brain. Loyal and a good friend with great physical presence and energy. 2 rehearsals plus dress rehearsal commitment.
The Cowardly Lion - Scared and cowardly, but lovable and loyal to his friends. 2 rehearsals plus dress rehearsal commitment.
The Tin Man - Needs a heart. Stiff and robotic but smart and thoughtful. Very loyal like the other friends. 2 rehearsals plus dress rehearsal commitment.
Glinda - Princess like. Very over the top leading lady type. Helpful and kind with great stage presence. 2 rehearsals plus dress rehearsal commitment.
Witch - Evil and loud. Big voice and presence. 2 rehearsals plus dress rehearsal commitment.
The Narrator - The narrator is the on stage story teller who furthers the story. Must have great personality, welcoming. 2 rehearsals plus dress rehearsal commitment.
Schedule an Audition: Auditions are scheduled for Saturday, February 8th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Little_Mermaid_AND_Wizard_of_Oz
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Saturday, March 7th - 9AM till 12PM - Both Casts
Saturday, March 14th - 9AM till 12PM - Both Casts
Mandatory Dress Rehearsal
Friday, March 20th - 9AM till 12PM - Both Casts
Mandatory Performances
Saturday, March 21st @ 11:30AM - Cast A
Saturday, March 21st @ 12:30PM - Cast B
Sunday, March 22nd @ 9AM - Cast B
Sunday, March 22nd @ 10AM - Cast A
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
Dorothy - Wide eyed young girl full of goodness and energy. Pure and wonderful at heart homesick for her family and home.
The Scarecrow - Dumb but lovable. In search of a brain. Loyal and a good friend with great physical presence and energy. 2 rehearsals plus dress rehearsal commitment.
The Cowardly Lion - Scared and cowardly, but lovable and loyal to his friends. 2 rehearsals plus dress rehearsal commitment.
The Tin Man - Needs a heart. Stiff and robotic but smart and thoughtful. Very loyal like the other friends. 2 rehearsals plus dress rehearsal commitment.
Glinda - Princess like. Very over the top leading lady type. Helpful and kind with great stage presence. 2 rehearsals plus dress rehearsal commitment.
Witch - Evil and loud. Big voice and presence. 2 rehearsals plus dress rehearsal commitment.
The Narrator - The narrator is the on stage story teller who furthers the story. Must have great personality, welcoming. 2 rehearsals plus dress rehearsal commitment.
Schedule an Audition: Auditions are scheduled for Saturday, February 8th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Little_Mermaid_AND_Wizard_of_Oz
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals.
Saturday, March 7th - 9AM till 12PM - Both Casts
Saturday, March 14th - 9AM till 12PM - Both Casts
Mandatory Dress Rehearsal
Friday, March 20th - 9AM till 12PM - Both Casts
Mandatory Performances
Saturday, March 21st @ 11:30AM - Cast A
Saturday, March 21st @ 12:30PM - Cast B
Sunday, March 22nd @ 9AM - Cast B
Sunday, March 22nd @ 10AM - Cast A
The Postman Always Knocks Twice
Adapted by Jon Jory
From the Novel By James M. Cain
Synopsis: This new adaptation by Jon Jory of the 1934 James M. Cain crime novel that became a famous film noir loses none of its gritty passion and power in this production at The Producers Club in Midtown, Manhattan. A sadomasochistic affair between a drifter and a sultry waitress at a lonely roadside diner morphs into a plot to kill her unsuspecting husband, but then betrayal, fate — and the law — intervene, leading to some devastating twists and turns for the doomed couple.
Breakdown: Adult actors and actresses, ages 18 to 65 only, no minors
Frank: Make, 25-35, lead, a drifter, not afraid to make his own fate, has had some trouble with the law, will kill for what he wants, passionate, falls for another man's wife, can lie as easily as he can tell the truth.
Cora: Female, 20-30, lead, Nick's wife, runs a café/truck stop with her husband, passionate, a married woman who falls for another man, at a place in her life where things are changing, torn in her desires, finds herself going down a path she's not quite ready for, will kill for love
Nick: Male, 25-35, Cora’s husband, Greek with a Greek accent, truly loves his wife, runs a café/truck stop with his wife, naïve, doesn't see the affair that is happening under his nose, murdered by Frank and Cora,
Sackett: Male or Female, 25-50- District attorney, strong, determined, can talk any one into anything, a little bit of a slime ball, forces Frank to put the blame on Cora, always gets what they want, jokes around, has a heart of stone
Policeman- Make or female, 18-30, a cop doing their job, Always a little suspicious of what's going on, tends to pop up at the most inopportune times, doesn't see what is right infringe of them.
Kennedy: Male, 25-45, Sacketts assistant, a lying double crosser, in it for himself and is not afraid to break the law to help himself, blackmails Frank, gets what coming to him in the end, involved in stage combat.
Katz: Male, 25-50, sleezball lawyer, willing to do any thing to get his client off, knows how to manipulate the law to get the verdict he wants, smart
Madge: Female, 18-30, woman in distress, ends up getting picked up by Frank, a “nice girl”, widowed, flirty, trains big cats for a living, plans to go on a safari trip soon, adventurous,
Nurse: Female, 18-30, works at the hospital, a little condescending, very matter of fact, the type that will pinch a grown man cheek when they are being cute.
Truck Driver- Male, 18-65, kicks Frank off his truck, gets angry and not afraid to show it, participates in stage combat
Coroner: Male or female, 20-45, the Coroner at the hospital, very knowledgeable about legal matters, Was able to see the facts through the lies, intelligent, first person to blame Frank and Cora for the murder.
Thug #1 and Thug #2: Male or female, 18-30, Kennedy’s goons, plans to rough up Frank but ends up getting jumped, not invested in the job personally just doing it for the pay check, comes to deliver Cora's statement.
Cop #1: Male or female, 20-50, one of the cops who came to the scene of the car accident, gives testimony, the good cop, plays by the rules.
Cop #2: Male or female, one of the cops who came to the scene of the car accident, dirty cop, willing to “do a favor” for Frank, uses his position to help his friends.
Willie: Male, 18-35, Kennedy's trusted accomplice, sends the Thugs to deliver Cora's testimony to Kennedy.
Danaway: Male or female, a representative of the insurance company, gives testimony at the trial, a great salesman, always trying to sell his product even at inappropriate times,
Magistrate: Male or female, 30-55, the judge at the trial, doesn't have time for nonsense, fair, only interested in the facts.
Schedule an Audition: Auditions are scheduled for February 10th by appointment only. Please visit this link to schedule your audition: www.supersaas.com/schedule/AlphaNYC/Murder_On_Nile_Postman_Always_R
What to Prepare:
You should prepare a 90 second or less cut of a monologue of your choice.
What If I Can’t Make Any of the Scheduled Audition Times?:
You can also take advantage of our digital audition option. Simply record your audition video with a webcam or phone and e-mail it, dropbox it, or iMessage it to Adam@TheAlphaNYC.com
For Those Previously Scheduled, Where Are Auditions?:
Auditions & rehearsals will be held at The Producers Club Theaters and Rehearsal Studios, located at 358 W 44th Street between 8th & 9th Avenues. Please sign-in when you arrive and wait there until your name is called for your audition.
What Should I Bring to the Audition?
You must have a stapled headshot and resume with you at the time of audition for consideration. If you do not have a resume and headshot, please bring a piece of paper with your full name, cell phone number and e-mail address.
Rehearsal Guidelines:
The complete rehearsal schedule is posted below for both casts. You may not leave early and you may not be late for any rehearsals. Sickness is also not an excuse for missing rehearsal. Rehearsals are also held at the Producers Club in Midtown New York City.
Performance Guidelines:
This production is non-equity and there is no pay. There are no fees to participate. Performances will take place at the Producers Club (50 seats) in Midtown New York City.
Mandatory Rehearsals
Monday, February 24th - 7:30PM till 10:30PM - Cast A
Wednesday February 26th - 7PM till 10PM - Cast B
Sunday, March 1st - 4PM till 7PM - Cast A
Sunday, March 1st - 7PM till 10PM - Cast B
Monday, March 2nd - 7:30PM till 10:30PM - Cast A
Wednesday March 4th - 7PM till 10PM - Cast B
Monday, March 16th - 7:30PM till 10:30PM - Cast A
Wednesday March 18th - 7PM till 10PM - Cast B
Sunday, March 22nd - 4PM till 7PM - Cast A
Sunday, March 22nd - 7PM till 10PM - Cast B
Mandatory Dress Rehearsal
Thursday, March 26th
12PM till 3PM - Cast A
3PM till 6PM - Cast B
Mandatory Performances
Thursday, March 26th
7PM - Cast A
9PM - Cast B
Friday, March 27th
7PM - Cast B
9PM - Cast A
Saturday, March 28th
7PM - Cast A
9PM - Cast B
Sunday, March 29th
7PM - Cast B
9PM - Cast A
